Continuity of care #3

As our project team continues to clean and prepare for use the case books of Stirling District Asylum we are discovering a wealth of additional information in the enclosures which are pinned, fastened or interleaved throughout the volumes. The case notes written in the pages of the case books record the initial personal and medical information collected at the time of admission and go on to provide regular updates on the treatment and condition of patients during their stay in the asylum. The enclosures, which are being carefully removed and catalogued, provide further medical and personal information relating to the patients.

Removing enclosures from a case book.

Removing enclosures from a case book.

Detailed accounts of the condition and behaviour of patients prior to admission are recorded in official correspondence from doctors, parish councils and other asylums from which patients have been transferred. Extracts from the medical certificates which were completed prior to admission are also sometimes included. Occasionally the incidents that triggered admission to the asylum were reported in the local press and press cuttings of such events were often placed alongside the case notes. Evidence of the care and treatment of the patients can be seen in the various hospital forms and records which are present including temperature charts, eye-test forms and additional loose case notes.

Alongside these official records the case books also include the personal correspondence of the patients themselves, an additional layer of evidence which brings their stories alive. The letters written by patients were intended for family and friends but these handwritten messages never left the asylum, instead being added by the hospital authorities to the case notes as evidence of the patient’s state of mind. Indeed some of these letters provide vivid first-hand accounts of the delusions and hallucinations suffered by patients. Many write of being kidnapped and held against their will, or ask for help to escape their incarceration. Other letters, however, are more measured and considered, apologizing to parents or spouses for their recent behaviour and asking loved ones to come and visit.

It is heartening to note that not all patient correspondence was confined within the walls of the asylum. The enclosures also include the occasional letter written by a recovered patient to the doctors in the asylum thanking them for their treatment and providing an account of life since their return home.

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Lindsay Anderson: Polish through and through

This month the Filmoteka Narodowa (National Film Archives of Poland) is screening a season of Lindsay Anderson’s films in Warsaw. Anderson would no doubt have been delighted with this recognition for his work as he had a great affection for Poland and visited the country on many occasions. Evidence of Anderson’s Polish connections are scattered through his archive with diary entries and photographs providing a personal record of his visits to Warsaw (a search of our online catalogue will provide a full list of material relating to Poland in the collection).

Photograph of Warsaw taken by Lindsay Anderson in 1966.

Photograph of Warsaw taken by Anderson in 1966.

Anderson worked as both a theatre and film director in Warsaw in the 1960s and the archive includes material relating to his Polish projects. In 1966 he directed a production of John Osborne’s play Inadmissible Evidence at the Contemporary Theatre in Warsaw starring Tadeusz Lomnicki. Anderson kept a detailed photographic record of the production and the collection also includes theatre programmes and posters and cuttings from the Polish press relating to the play.

Anderson returned to Warsaw in 1967 to direct a short documentary film, The Singing Lesson, at the invitation of the Warsaw Documentary Studio. The film featured a class of students from the Warsaw Dramatic Academy performing traditional Polish songs inter-cut with scenes of Warsaw life. Anderson’s initial outline for the film (in both English and Polish) is present, along with correspondence, photographs and promotional material.

A scene from The Singing Lesson, a film made by Lindsay Anderson in Warsaw in 1967.

A scene from The Singing Lesson, a film made by Lindsay Anderson in Warsaw in 1967.

Amongst the thousands of pieces of correspondence in the archive one of Anderson’s most cherished items was a letter written by the Polish director Andrez Wajda in December 1983. The letter was written by Wajda after seeing Britannia Hospital, Anderson’s blistering satire set in the chaotic surroundings of a dysfunctional British hospital. Panned by the critics and ignored by the cinema-going public on its release in the UK in 1982 Wajda’s warm praise for the film was much appreciated by Anderson, Wajda writing:

“I very much wanted to write to you. I saw Britannia Hospital in Paris. It is the most Polish film produced anywhere in the world in recent years. Being Polish, I completely understand the way you are using the facts of contemporary life and putting them on the screen. This is really Britain – the only one that truly exists. And it is also Polish through and through, amazing in its ideas…

As in every Polish masterpiece, there is twice as much material in it as there ought to be. It’s as if you were anticipating censorship and counting on it to shape your film by cutting it. Perhaps it’s a pity you’ve no censorship in England. Though really your film would be quite uncensorable: they’d just have to write the whole thing off as a loss – as we say over here. Quite simply the film is superb, and I wholeheartedly congratulate you for it.” (ref. LA 1/9/3/16/62)

Cover of Film Vilag, a Hungarian film magazine, featuring a promotional image for Britannia Hospital (June 1983).

Cover of Film Vilag, a Hungarian film magazine, featuring a promotional image for Britannia Hospital (June 1983).

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New accession: letters of a young filmmaker

This week we were delighted to receive a fantastic new addition to our Norman McLaren Archive. The material consists of a set of 64 letters, letter-cards and postcards sent by McLaren to his friend (and fellow filmmaker) Helen Biggar in 1936 and 1937. McLaren met Biggar when studying at the Glasgow School of Art and in 1936 they made the anti-war film Hell Unltd (which had a recent screening at the GFT). McLaren’s letters to Biggar detail the film’s planning, editing, promotion and distribution. A letter written on 21 April 1936 captures McLaren’s excitement at a moment of creative inspiration:

“Oh Helen – it happened at 7 o’clock tonight – it burst forth like a torrent – a perfect welter and wealth of hot ideas and arrangement and everything – in fact the complete film just gushed from my subconscious mind in great detail – gee its marvelous – our new film…”

Examples of the letters and postcards sent by Norman McLaren to Helen Biggar.

Examples of the letters and postcards sent by Norman McLaren to Helen Biggar.

The film McLaren and Helen Biggar made was a stinging attack on the re-armament of Europe and consequent rush towards conflict. The film was as experimental as it was political mixing various styles and techniques – animation, archive footage, graphs and titles, and acted scenes – culminating in a rallying call for the audience to take direct action and demonstrate against the war. The film made a great impact in the febrile political climate of the time and was widely screened (McLaren’s letters detailing their arrangements with Kino Films, a left-wing film distributor).

A still from Hell Unltd made by Norman McLaren and Helen Biggar in 1936.

A still from Hell Unltd made by Norman McLaren and Helen Biggar in 1936.

 The letters cover a key point in the development of McLaren’s filmmaking career. In the autumn of 1936 McLaren took up his first post as a professional filmmaker joining the team of young talent that John Grierson assembled at the GPO Film Unit. McLaren writes about his work at the GPO, comparing the methods and techniques to those he had previously employed in his amateur work. He still however had ambitions to make his own films outside the GPO Film Unit and discusses various planned project with Helen Biggar. McLaren also writes about his visit to Spain in November 1936 to shoot footage for the film The Defense of Madrid, which documented the resistance of the Republican forces fighting Franco’s Nationalist army.

Norman McLaren and Helen Biggar playing croquet at McLaren's home in Stirling c 1936.

Norman McLaren and Helen Biggar playing croquet at McLaren’s home in Stirling c 1936.

Following their collaboration on Hell Unltd McLaren and Biggar’s career paths diverged. In 1939 McLaren moved to New York and in 1941 he took up an invitation from John Grierson to join the newly established National Film Board of Canada. Helen Biggar became a stage designer for the Glasgow Worker’s Theatre Group and the Glasgow Unity Theatre, while continuing her work as a sculptor. In 1945 she moved to London, later becoming wardrobe mistress and costume designer for Ballet Rambert.

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Continuity of care #2

This week we transferred the first of the Stirling District Asylum case books which have been cleaned and catalogued by our project team to the archives store. Another element of the project to prepare the archives of the Asylum for public use is the creation of a database of patients who were admitted to the hospital. The asylum’s patient registers record details of the admission and discharge of those treated in the hospital and this information is being carefully recorded and transcribed by our project team.

The registers provide fascinating information relating to the lives of the patients recording their age, marital status, previous occupation and place of abode. Medical details such as bodily condition, form of mental disorder and ‘supposed cause of insanity’ are also recorded. Alongside the standard medical reasons given some of the more unusual ‘supposed causes’ noted in the hospital’s first register, beginning in 1869, include ‘loneliness and religious contemplation’, ‘excessive use of ardent spirits’, ‘disappointment in love’ and ‘severe blow on temple from a golf ball.’ Another reason given is ‘Sunstroke’ – this however, was for a former soldier who suffered it while stationed in India. The registers also note if patients were previously admitted to the hospital and/or transferred to other institutions, which provides valuable information when trying to trace the movement of patients through the network of Scottish asylums. 

The patients registers are a source of detailed social and medical information.

The patient registers are a source of detailed social and medical information.

The creation of this database of asylum patients will be of great benefit in a number of ways. It will provide a quick and efficient way of searching the records for individuals, assisting us in responding to genealogical enquiries. It will also reduce the actual handling of these old and damaged volumes, contributing to their long-term preservation. And for academic researchers it also allows the possibility of re-using the large amount of tabular / statistical information recorded in their research allowing, for example, breakdowns of the patient population by occupation or ‘place of abode.’

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Continuity of care #1

A gap in the Scottish archival record has been filled with the transfer of the archives of Stirling District Asylum to the University of Stirling. Part of a larger transfer of historical records to the University Archives by NHS Forth Valley, the records of Stirling District Asylum (later known as Bellsdyke Hospital) provide a detailed account of the care and treatment of mental health patients in Central Scotland in the late nineteenth and early twentieth centuries. This semester we have begun work on a project with a team of student volunteers (thanks Catherine, David, Ian and Jennifer!) to prepare these records for public consultation in our archives reading room.

The case books contain enclosures such as letters relating to the treatment of patients.

The case books contain enclosures such as letters relating to the treatment of patients.

The project team will be working on a set of 50 volumes of case books which provide detailed records of the care and condition of patients in the hospital beginning in 1869. These volumes were working documents, regularly updated by medical staff. They include many enclosures relating to the treatment of patients – both medical records such as temperature charts and personal material such as correspondence. From the 1890s onwards the case books also include photographs of the patients which are pasted onto the pages of the volumes, a common practice also seen in contemporary case books from other Scottish asylums.

From the 1890s onwards photographs of patients were pasted into the pages of the volumes.

From the 1890s onwards photographs of patients were pasted into the pages of the volumes.

Basic cleaning of the volumes is being carried out, with dust and surface dirt being removed using conservation-quality natural hair brushes. The enclosures, many of which are secured to the pages of the volumes with metal clips and pins are being carefully removed to be stored alongside the volumes. Further cleaning of the pages of the volumes is then carried out where required using chemical sponges – conservation-quality cleaners which carefully remove the dust and grime which has accumulated over more than a century of use and storage.

Surface dust being removed from the pages of a case book with a brush.

Surface dust being removed from the pages of a case book with a brush.

Once cleaned and catalogued these volumes will be made available for use in our archives reading room. Academic researchers across a range of disciplines will find a wealth of social, historical and medical material in the records. Comparative studies with other Scottish Asylums will also be possible for the first time. The collection will also be of interest to family historians, opening up a new source of genealogical information.

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New accession: Sign up for Scotland!

We’re only a few weeks into the New Year and we’ve already received a number of interesting new additions to our collections. One of these accessions is a box of papers which was transferred to us by our library colleagues which contains fascinating material relating to the campaign for greater Scottish self-government in the 1950s. The focus of this campaign was the Scottish Covenant, a petition demanding a Scottish parliament, which was signed by over two million Scots in 1949-50.

Material relating to the Scottish Covenant campaign recently acquired by the University Archives.

The papers were included with a large donation of books on mining and geology given to the library by the geologist Robert Robinson and detail his involvement in the campaign. They include minutes and reports of the National Covenant Committee (1950-51) and the Scottish Covenant Association (1952-53). Robinson was an active member of these groups and many of the papers are annotated, providing further details of the discussions that took place at the meetings he attended. Leaflets and newsletters produced by these groups are also present, along with pamphlets on Scottish nationalism. There is also a file of correspondence which includes a letter from December 1949 which highlights some of the difficulties that were faced in collecting the signatures for the Scottish Covenant. Writing to a fellow committee member Robinson noted that:

“I did not have time to look at the Scottish Covenant form which was signed up last night at the ceilidh at the McKillop Hall, but I see this morning that none of the penciled names would be accepted by the Scottish National Assembly Committee as they are obviously written by only one or two hands. I also know that several of the people given on the form were not there and that their signatures are therefore forged! I have rubbed out all the penciled names and would be very grateful to you if you would collect the names of the people living in the glen who will sign. Actual signatures of everyone in the household wanted!”

This small collection of personal papers will make a great addition to our Scottish Political Archive. Established in 2010 the SPA is collecting material relating to Scottish politicians and political organisations through oral history interviews and the donation of personal papers and memorabilia and has already amassed an impressive range of material recording the last 60 years of Scottish politics.

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Treasures on display

A plastic Oscar… a pair of shoe buckles… an old wooden sign… If you visit the university library over the coming months you may notice some rather unusual objects on display in Archives & Special Collections. These items form part of a selection of ‘Treasures’ from our collections, chosen by library and academic staff to highlight the wide range of material available to researchers. Each of the selected items has its own fascinating story, which is told in the short essay which accompanies each of the exhibits.  The exhibition touches on both great historical events and small family dramas, and highlights periods of great cultural change. For those interested in exploring further information on our collections can be found here, while an online version of the exhibition can be viewed here.

A pair of shoe buckles from one of our collections. Visit the library to find out why they are one of our ‘treasures’.

 

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2012 Review: Top of the Charts

As we head towards xmas it’s time to collect and collate the statistics for the use of our collections in 2012 to create our end of year chart. We’ve combined the information recorded in our enquiries database with the records of visitors to our reading room and have a new No. 1 this year, knocking the ever-popular John Grierson Archive into the No. 2 spot.

In 2012 our most used collection was the Musicians’ Union Archive. The collection provides a comprehensive record of the work of the union and its responses to the various challenges (both political and technological) which have faced musicians over the last 130 years. There are a number of factors that contributed to the collection’s popularity in 2012:

  • The increased accessibility of the collection due to cataloguing, making previously unaccessible material available to researchers
  • The heavy use of the collection by an AHRC-funded project based at the University of Glasgow which is researching the history of the Musicians’ Union
  • The centenary of the sinking of the Titanic which led to many enquiries from the media and researchers relating to the musicians on board the ship

The collection also received many genealogical enquiries from people tracing the careers of family members, the membership records providing a wealth of useful information, and a range of enquiries from researchers investigating various aspects of political, social and musical history.

MU Archive

Material from the Musicians’ Union Archive

Cataloguing of the Musicians’ Union Archive will continue in 2013 as the records of the local branches located across the UK are added to the catalogue, providing a comprehensive record of union activity from Aberdeen to Exeter.

Further down the chart our Lindsay Anderson Archive made the top 3 for the second year running, the final fruits of the work of our ARHC research project being published in November. It was also encouraging to see the university’s own institutional records being well used (at No. 4) and featured in an exhibition celebrating the 40th anniversary of the macrobert in September and on television in a report on the Howietoun Fishery on BBC 2 Scotland’s Landward in November.

The statistics for our flickr pages highlight the success of our Going Wild In the Archives exhibition which took place across the campus in the spring of 2012. The top 10 most-viewed flickr images all hail from the natural history collections which were photographed for the exhibition and include beautiful Victorian illustrations of birds of paradise, sea anemones, butterflies and Himalayan plants. With plans in place to open-up some interesting new accessions to researchers in the new year we’re looking forward to a busy and stimulating 2013!

Our most-viewed image on flickr: ‘Resplendent Trogon and Ceylonese Sun Bird’, from Beautiful Birds in Far-off Lands, Kirby, M. (London, 1873).

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2012 Advent Calendar

This year our advent calendar celebrates the natural world. Every day in the run-up to Christmas a new image from our collections will be revealed including animals, butterflies and flowers from our Victorian illustrated books and some weird and wonderful drawings from our Norman McLaren Archive! The advent calendar can be viewed here.

A rabbit in winter. From The Mammals of Great Britain and Ireland, J. G. Millais (1905).

The images included in the calendar highlight the rich holdings we have relating to the natural world, both printed and archival. In 2012 we put together an exhibition entitled ‘Going Wild in the Archive’ which displayed material from our collections alongside items from the School of Biological and Environmental Sciences museum collection. Material was displayed across the campus, including a full tiger skeleton which took up residence in our reading room for several months! The calendar also provides a nice introduction to the Year of Natural Scotland 2013 which will celebrate Scotland’s outstanding natural beauty.

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Leighton Library film

We have added a short film about the Leighton Library to YouTube – see http://youtu.be/8ak-jJwoXf4

Let us know what you think!

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